Now that Avatar is formally thehighest grossing movieof all clip , it ’s inevitable that studio will continue to push 3-D as the new frontier of cinema . But actually take in 3D is prohibitively expensive . Here ’s how they fake it .
https://gizmodo.com/avatar-is-now-the-highest-grossing-film-of-all-time-me-5457366
Not many directors share James Cameron ’s compulsion with three dimensional genuineness , and not many films have the budget to fend for the directors who do . Filming in 3-D expect the role of two cameras , just offset , capturing all the action in tandem . The technology involved , and the people who have sex how to expend it , arrive with a high cost tag ( to the strain of seven figures ) . So most of the 3D moving-picture show that will be coming out of Hollywood in upcoming months , including the two new Harry Potter films as well as Tim Burton ’s Alice in Wonderland , create the effect in post - product .

Here ’s the gist of it : graphic artist separate guess out into layers of deepness , which can number anywhere from two layers for shot with simple blocking to eight for gibe with more complex compositions . Then , the object in each stratum are carefully trace , creating a topographical map of the scene . Here , the calculator steps in , simulating the second camera ’s position by generate another , slightly offset image . The images in the layers closest to the watcher are offset the most , creating the illusion of things popping off the covert , while the background knowledge is only countervail slightly .
The more complicated the blastoff , the more employment must be done by hand . With Tim Burton ’s detailed existence , you’re able to bet that a whole squad of artists were doing a whole lot of tracing . To read about the summons in more detail , head over to Slate . [ Slate ’s Explainer ]
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